Daniela Alina Plewe
lives in Berlin

Education   Distinctions   Exhibitions – Presentations   Grants   Research and Teaching   Jury Activities   References   Publications


Education

since 2004	PhD candidate at the Institute for Audio Visual Media (CRECA) Sorbonne, Paris
2002 – 2003	class with J. Sauter, Experimental Media Design, Institute of Time Based Media, University of Arts Berlin, Master of Arts
2000 – 2002	Experimental Media Design, Institute of Time Based Media University of Arts Berlin
1988	guest-student for Film and Vidéo at Université de Paris VIII with J.-P. Fargier
1987 – 1995	Philosophy, Comparative Literature and Cultural Anthropology/Ethnology at Johann-Wolfgang-Goethe-Universitaet Frankfurt and Freie Universitaet of Berlin, Bachelor of Arts

Distinctions

2004	Interactive Art,Transmediale, Berlin
	Online at Film Winter Festival, Stuttgart
2001	Artistic Software at Transmediale, Berlin
1998	Interactive Art Comtecart, Dresden

Exhibitions – Presentations

2005	Making Things Public - Fair Assembly, ZKM Karlsruhe
	Institut National des Télécommunications, Paris
2004	Masterpieces of Media Art, ZKM, Karlsruhe
	Poesis – Digital Poetry, Kulturforum, Berlin
	Transmediale, Berlin
	Filmwinter, Stuttgart
	Viper, Basel
	Mapping Conference, ZKM, Karlsruhe
	Japan Media Arts Festival, Tokyo
2003	Festival International de Linguam Electronica (FILE), Sao Paulo
	Aesthetic Computing, Dagstuhl
2002	Locked-in/Locked-out, New York/Berlin
2001	Transmediale, Berlin
2000	University of California Los Angeles (UCLA)
	Filmwinter, Stuttgart
	Artforum, Berlin
1999	Canon Art Lab, Tokio (Solo Exhibition)
	Wilhelm Lehmbruck Museum, Duisburg
	Kunstbank, Berlin (Solo Exhibition)
1998	Ars Electronica, Linz
	Transmediale, Berlin
	Comtecart, Dresden
	Laboratiorio Berlino, Turin
1997	Hybrid Workspace, Kassel
	European Media Art Festival (EMAF), Osnabruck
	Softmoderne, Berlin
1996	Dutch Electronic Arts Festival (DEAF), Rotterdam
	St. Petersburg Biennale, St. Petersburg
	Geben und Nehmen, Künstlerhaus Plüschow
	Files, Bunker, Berlin
	Kunsthalle Exnergasse, Wien
1995	NYC Digital Salon, New York
	Telepolis, Luxembourg
	Lab 5, Centre of Contemporary Art, Warsaw
	Gallery of the Dutchess College, Poughkeepsie New York (Solo Exhibition)
	Stubnitz KunstRaumSchiff Baltic Tour St. Petersburg, Malmö, Hamburg, Rostock
	International Symposium on Electronic Arts (ISEA), Helsinki
	Living Poet´s Society, Helsinki
1993	Zeil Galerie, Frankfurt/Main
	Schloß Solitude, Stuttgart
	Internationale Funkausstellung Berlin
	Medienbiennale, Leipzig
1992	Documenta Stadtprogramm, Kassel
	Künstlerhaus Bethanien, Berlin
	Electronic Arts Syndrom, Berlin
	Herbstausstellung, Kunstverein, Hannover
	Elektro, Berlin (Solo Exhibition)

Grants

2005	European Media Art (Emare) Grant for V2 Rotterdam
2003	Filmboard Berlin-Brandenburg for postgraduate students of the University of Arts, Berlin
1998	Senate for Culture and Science, Berlin
1995	French Embassy
	ZKM, Center for Arts and Media, Karlsruhe

Research and Teaching

2002-2003	research and writing of publications at the Fraunhofer Institute for the EU project "Ambient Agoras – Workspaces of the Future" www.ipsi.fhg.de – research fields: CSCW – Computer Supported Cooperative Work and Knowledge Management
2003	seminar on “Concept Development” at SENAC University Sao Paulo
1992	course on Video Documentation for University TV, Freie Universitaet Berlin
1990-1995	member of the Artificial-Intelligence-Research-Group “Logic, Theories of Knowledge and In­formation” at Freie Universitaet Berlin

Jury Activities

2004	Highschool for Design and Art, Diploma Exams, Zürich
2002	Viper Festival, Basel
1999	Senate for Culture and Science, Berlin

References

O. Grau. Virtual Art: From Illusion to Immersion,
MIT Press, 2003

S. Wilson. Information Arts - Intersections of Art,Science, and Technology,
MIT Press, 2003

O. Grau. Virtuelle Kunst in Geschichte und Gegenwart,
Reimer, 2001

P. Gendolla, N. M. Schmitz, I. Schneider (eds.). Formen Interaktiver Medienkunst,
Suhrkamp, 2001

R. Frieling, D. Daniels. Medien – Kunst - Interaktion
Die 80er und 90er Jahre in Deutschland.
Springer Verlag, 2000

B. Dotzler, Die Hamlet Maschine in: Kaleidoskopien, 1998


Publications

D: A. Plewe, S. Meschkat, M. Stede.
GeneralNews – ein Metabrowser
in: C.Kunze, Lemnitzer L., Wagner.A.: GermanNet Anwendungen des deutschen Wordnetzes in Theorie und Praxis, 2004

N. A. Streitz; Th. Prante, C. Röcker, D. van Alphen, C. Magerkurth, R. Stenzel, D. A. Plewe.
Ambient Displays and Mobile Devices for the Creation of Social Architectural Spaces: Supporting informal communication and social awareness in organizations.
in: K. O’Hara, M. Perry, E. Churchill, D. Russell (Ed.):
Public and Situated Displays: Social and Interactional Aspects of Shared Display Technologies, Kluwer Publishers, 2003

Th.Prante, C.Röcker, N.A. Streitz, R. Stenzel, C. Magerkurth, D. van Alphen, D.A. Plewe.
Hello.Wall – Beyond Ambient Displays.
in: Peter Ljungstrand, Jason Brotherton (Ed.):
Video Track and Adjunct Proceedings of the Fifth International Conference on Ubiquitous Computing (UBICOMP’03), 2003

D.A. Plewe. Ultima Ratio as Media Theatre: Beyond Moving Skin,
in: Martina Leeker: Global Heros, Theater zwischen Medialität und Theatralität,
Alexander Verlag Berlin, 2001

D. A. Plewe. Media Theatre – Beyond Moving Skin,
in: Filmwinter 2000, Stuttgart, 2000

D. A. Plewe et al. Ultima Ratio – A Framework for Argumentation,
in: Proc. of International Conference
on Autonomous Agents, Minneapolis, Springer 1998

D.A. Plewe. Ultima Ratio, Catalogue of Ars Electronica,
Springer 1998

D. A. Plewe. Muser´s Service, Medienkunst aktuell,
ed. Goethe-Institut and ZKM, 1997

Muser’s Service (Foto-Documentation)
in: Leonardo MIT Press, 4/95

D. A. Plewe, S. Heidenreich. Oulipo - Potentielle Literatur,
Konzepte Verlag, (12/94)

D. A. Plewe. High Definition TV, Professional Production,
No. 6/92

D. A. Plewe. The “New Man” of BMW,
Professional Production No., 3/92