Daniela Alina Plewe
lives in Berlin

Education   Distinctions   Exhibitions – Presentations   Grants   Research and Teaching   Jury Activities   References   Publications


since 2004 PhD candidate at the Institute for Audio Visual Media (CRECA) Sorbonne, Paris
2002 – 2003 class with J. Sauter, Experimental Media Design, Institute of Time Based Media, University of Arts Berlin, Master of Arts
2000 – 2002 Experimental Media Design, Institute of Time Based Media University of Arts Berlin
1988 guest-student for Film and Vidéo at Université de Paris VIII with J.-P. Fargier
1987 – 1995 Philosophy, Comparative Literature and Cultural Anthropology/Ethnology at Johann-Wolfgang-Goethe-Universitaet Frankfurt and Freie Universitaet of Berlin, Bachelor of Arts


2004 Interactive Art,Transmediale, Berlin
  Online at Film Winter Festival, Stuttgart
2001 Artistic Software at Transmediale, Berlin
1998 Interactive Art Comtecart, Dresden

Exhibitions – Presentations

2005 Making Things Public - Fair Assembly, ZKM Karlsruhe
  Institut National des Télécommunications, Paris
2004 Masterpieces of Media Art, ZKM, Karlsruhe
  Poesis – Digital Poetry, Kulturforum, Berlin
  Transmediale, Berlin
  Filmwinter, Stuttgart
  Viper, Basel
  Mapping Conference, ZKM, Karlsruhe
  Japan Media Arts Festival, Tokyo
2003 Festival International de Linguam Electronica (FILE), Sao Paulo
  Aesthetic Computing, Dagstuhl
2002 Locked-in/Locked-out, New York/Berlin
2001 Transmediale, Berlin
2000 University of California Los Angeles (UCLA)
  Filmwinter, Stuttgart
  Artforum, Berlin
1999 Canon Art Lab, Tokio (Solo Exhibition)
  Wilhelm Lehmbruck Museum, Duisburg
  Kunstbank, Berlin (Solo Exhibition)
1998 Ars Electronica, Linz
  Transmediale, Berlin
  Comtecart, Dresden
Laboratiorio Berlino, Turin
1997 Hybrid Workspace, Kassel
  European Media Art Festival (EMAF), Osnabruck
  Softmoderne, Berlin
1996 Dutch Electronic Arts Festival (DEAF), Rotterdam
  St. Petersburg Biennale, St. Petersburg
  Geben und Nehmen, Künstlerhaus Plüschow
  Files, Bunker, Berlin
  Kunsthalle Exnergasse, Wien
1995 NYC Digital Salon, New York
  Telepolis, Luxembourg
  Lab 5, Centre of Contemporary Art, Warsaw
  Gallery of the Dutchess College, Poughkeepsie New York (Solo Exhibition)
Stubnitz KunstRaumSchiff Baltic Tour St. Petersburg, Malmö, Hamburg, Rostock
  International Symposium on Electronic Arts (ISEA), Helsinki
  Living Poet´s Society, Helsinki
1993 Zeil Galerie, Frankfurt/Main
  Schloß Solitude, Stuttgart
  Internationale Funkausstellung Berlin
  Medienbiennale, Leipzig
1992 Documenta Stadtprogramm, Kassel
  Künstlerhaus Bethanien, Berlin
  Electronic Arts Syndrom, Berlin
  Herbstausstellung, Kunstverein, Hannover
  Elektro, Berlin (Solo Exhibition)


2005 European Media Art (Emare) Grant for V2 Rotterdam
2003 Filmboard Berlin-Brandenburg for postgraduate students of the University of Arts, Berlin
1998 Senate for Culture and Science, Berlin
1995 French Embassy
  ZKM, Center for Arts and Media, Karlsruhe

Research and Teaching

2002-2003 research and writing of publications at the Fraunhofer Institute for the EU project "Ambient Agoras – Workspaces of the Future" www.ipsi.fhg.de – research fields: CSCW – Computer Supported Cooperative Work and Knowledge Management
2003 seminar on “Concept Development” at SENAC University Sao Paulo
1992 course on Video Documentation for University TV, Freie Universitaet Berlin
1990-1995 member of the Artificial-Intelligence-Research-Group “Logic, Theories of Knowledge and In­formation” at Freie Universitaet Berlin

Jury Activities

2004 Highschool for Design and Art, Diploma Exams, Zürich
2002 Viper Festival, Basel
1999 Senate for Culture and Science, Berlin


O. Grau. Virtual Art: From Illusion to Immersion,
MIT Press, 2003

S. Wilson. Information Arts - Intersections of Art,Science, and Technology,
MIT Press, 2003

O. Grau. Virtuelle Kunst in Geschichte und Gegenwart,
Reimer, 2001

P. Gendolla, N. M. Schmitz, I. Schneider (eds.). Formen Interaktiver Medienkunst,
Suhrkamp, 2001

R. Frieling, D. Daniels. Medien – Kunst - Interaktion
Die 80er und 90er Jahre in Deutschland.
Springer Verlag, 2000

B. Dotzler, Die Hamlet Maschine in: Kaleidoskopien, 1998


D: A. Plewe, S. Meschkat, M. Stede.
GeneralNews – ein Metabrowser
in: C.Kunze, Lemnitzer L., Wagner.A.: GermanNet Anwendungen des deutschen Wordnetzes in Theorie und Praxis, 2004

N. A. Streitz; Th. Prante, C. Röcker, D. van Alphen, C. Magerkurth, R. Stenzel, D. A. Plewe.
Ambient Displays and Mobile Devices for the Creation of Social Architectural Spaces: Supporting informal communication and social awareness in organizations.
in: K. O’Hara, M. Perry, E. Churchill, D. Russell (Ed.):
Public and Situated Displays: Social and Interactional Aspects of Shared Display Technologies, Kluwer Publishers, 2003

Th.Prante, C.Röcker, N.A. Streitz, R. Stenzel, C. Magerkurth, D. van Alphen, D.A. Plewe.
Hello.Wall – Beyond Ambient Displays.
in: Peter Ljungstrand, Jason Brotherton (Ed.):
Video Track and Adjunct Proceedings of the Fifth International Conference on Ubiquitous Computing (UBICOMP’03), 2003

D.A. Plewe. Ultima Ratio as Media Theatre: Beyond Moving Skin,
in: Martina Leeker: Global Heros, Theater zwischen Medialität und Theatralität,
Alexander Verlag Berlin, 2001

D. A. Plewe. Media Theatre – Beyond Moving Skin,
in: Filmwinter 2000, Stuttgart, 2000

D. A. Plewe et al. Ultima Ratio – A Framework for Argumentation,
in: Proc. of International Conference
on Autonomous Agents, Minneapolis, Springer 1998

D.A. Plewe. Ultima Ratio, Catalogue of Ars Electronica,
Springer 1998

D. A. Plewe. Muser´s Service, Medienkunst aktuell,
ed. Goethe-Institut and ZKM, 1997

Muser’s Service (Foto-Documentation)
in: Leonardo MIT Press, 4/95

D. A. Plewe, S. Heidenreich. Oulipo - Potentielle Literatur,
Konzepte Verlag, (12/94)

D. A. Plewe. High Definition TV, Professional Production,
No. 6/92

D. A. Plewe. The “New Man” of BMW,
Professional Production No., 3/92